Sunday, January 12, 2025

Singularity Ablyss


 
Writer: Robert N. Skir
Publication date: November 30, 2004
 
"Singularity Ablyss" takes place during the events of "Spark of Darkness," the preantepenultimate episode of Beast Machines. Megatron's spark has been blasted out of his Giant Floating Head body and it now careens wildly around Cybertron, briefly adopting the host bodies of discarded Vehicon drones before burning them out and becoming incorporeal again.

That's what happens in the episode, but the story, written in first-person, shows Megatron's perspective of those events, as well as revealing his soul's journey through the Transformers afterlife with the ghost of Rhinox as his guide. Baby's first Divine Comedy.

Ultimately, rather than surrender his individual consciousness to the bliss of the abyss, Megatron decides it's better to rule in Hell than serve in Heaven. He rejects enlightenment and cleaves to the physical plane, vowing that he will not only be master of Cybertron, but he will incorporate the sparks of all living Transformers into his being before returning to the Allspark to conquer the afterlife as well and rule over all reality as a god. In the process of escaping death, he obliterates Rhinox's spark. "And in that instant that lasts a thousand eons, I learn that there is indeed something more satisfying than the howl of a dying beast: the death scream of an angel."

Megatron is metal af.

This is probably the best story in this collection. Bob Skir, the story editor of Beast Machines, is a good writer,  but there are still moments throughout "Singularity Ablyss" that stand out as unpolished or trying too hard. Shocking that a Transformers short story anthology failed to produce any comprehensively great literature.

This can easily slot into the canon of the show, but the complete annihilation of Rhinox, especially after the character assassination he suffered earlier in Beast Machines, makes me reluctant to do so. Let the poor guy rest in peace!

Saturday, January 11, 2025

Departure

 
Writer: Glen Hallit
Publication date: July 13, 2001
 
Surprisingly, perhaps disappointingly, we've now finished all published Beast Wars tie-ins. Did any of them do anything to enhance our appreciation or understanding of everyone's favorite Transformers cartoon and its lovable cast of characters? That's something you have to decide for yourself.

But the answer is no.

Moving on to Beast Machines tie-ins, Departure is the first installment of The Wreckers, the next convention-exclusive storyline from 3H Productions. Simon Furman didn't write this one, which is surprising because it has the same glorification of OCs at the expense of the TV cast that was a running theme throughout his work. This time, though, instead of Megatron II getting owned to show how cool a different villain is, it's Optimus Primal's turn to get treated like an asshole so we can see how much cooler and betterer the Wreckers are.

But who are the Wreckers? To answer that question, we have to go back a few hundred years, apparently. It's the time of the Great War (the first one, I guess? Was there more than one in this timeline? What's going on). Some of the next-generation cast of The Transformers: The Movie, namely Arcee, Wheelie, and an adult Daniel Witwicky, battle an army of Nightbirds (fembot ninjas).

"Ammo's low, it's time to go!" rhymes Wheelie. Then he gets opened up with a lasersword! That'll teach him to be an annoying kid-appeal character in this adult franchise about plastic toys. Daniel goes to help him, but the other Autobots just run off and abandon the two of them to their fate. Except for Arcee, who gets dragged away by a character I didn't recognize but is apparently someone called "Hot Spot," an Autobot who transforms into a Wi-Fi router. 

As he watches their friends fly away in their escape shuttle without making any effort to come get them, Daniel exclaims, "Oh @#$%, what're we gonna do now?" Which is a silly, memey throwback to when his dad said that in The Transformers: The Movie when he thought he was about to be killed by Unicron. However, the comedy is undercut ever so slightly when Daniel answers his own question by taking out a grenade and suicide-bombing both himself and Wheelie. Jesus Christ, guy.

Arcee slips into a deep depression and becomes a shut-in for the next 300 years. Great!

We're now early in Beast Machines Season 2. Optimus Primal has already died and returned to life for the second time and Megatron is now in his Giant Floating Head form. Optimus and Nightscream are on a mission to rescue the Deployers, a Transformers subgroup who got action figures but never appeared on the show. Although intelligent and autonomous, they don't have souls, lore which was explained on their toy packaging but didn't come up at all in this comic. I had actually forgotten that these guys even existed until they were shown here hanging out with Optimus Primal and Nightscream but were given no explanation for who they were or where they came from. They have no relevance to or role in the story at all, they're just there.

Optimus and Nightscream get into a fight with some Vehicon drones and get their asses kicked, but suddenly Ramulus appears and effortlessly takes out all the drones in one shot. "You through monkeyin' around, Primal? Why don't you stay down... and let the professionals handle this!" he quips. "The name's Ramulus, 'Captain.' You'd know that if you cleaned up your own messes."

This is like when the writers of Lost thought the best way to introduce the cool new characters of Nikki and Paulo was to have them randomly show up out of nowhere and immediately start browbeating a beloved member of the original cast. Even if your OC has a good reason to be acting like a dick, nobody's going to like them enough to want to find out what it is if they make a first impression this terrible.

Crisis abated, Primal Prime, a red repaint of the Optimal Optimus Beast Wars figure, comes out and introduces himself. "What are you doing in my old body?" Optimus Primal asks. "I can answer that," says Apelinq, a red repaint of the Transmetal Optimus Primal Beast Wars figure. "What are you doing in my old body?" Optimus Primal doesn't ask.

We get a recap of Reaching the Omega Point and Apelinq's journey back and forth through time as chronicled in his diary war journal. It's revealed here that all the characters left behind at the epicenter of Shokaract's explosion didn't get blowed up, but instead magic portals randomly opened like the end of Avengers: Endgame and conveniently sent them all back to their proper timelines. Apparently a portal also opened in Optimus Primal's brain and sucked out all his memories of this entire storyline as well.

"But why is Ramulus mad at me? :(" Optimus whines. Apelinq explains how Ramulus feels like Optimus and his crew abandoned him and the other protoforms on prehistoric Earth, even though they didn't suffer from this at all and apparently found a way back to Cybertron almost immediately. Optimus stammers some half-assed excuse about the Maximals' scanners not being good enough to detect any survivors. 
 
Apelinq handwaves this away but this is all completely contrived melodrama. The implication on the show was that the remaining stasis pods were destroyed or irreparably damaged when the Vok tried to blow up prehistoric Earth. They're shown falling out of orbit when the Planet Buster fires into the atmosphere, and then later you see the smashed remnants of the destroyed Transformers within them littering the crash site. It's never explicitly stated that all the pods were accounted for, so there could easily have been a story or stories featuring surviving Axalon pods, but acting like the Maximals would just nonchalantly wash their hands of the whole thing and forget about it is a bad-faith interpretation of the source material.

Primal Prime, Apelinq, and Ramulus take Optimus Primal, Nightscream, and the Deployers to meet The Wreckers' unwieldily huge cast of characters. There are at least twenty Transformers here, and I'm sure most of them will get almost no meaningful character development. Some of them probably won't even be named in the story. They're all gathered together before the Oracle, the evolved version of the legendary G1 supercomputer Vector Sigma. The Oracle reformatted Optimus Primal and his Maximals into their Beast Machines forms at the beginning of the show and set Optimus on his spiritual quest to restore "technorganic" balance to Cybertron.

Apparently the Oracle is also giving marching orders to the three subgroups of Transformers introduced in this scene. There are the titular Wreckers themselves, including Primal Prime, Apelinq, Ramulus, Transmetal Tigatron, Transmetal Packrat (how did he become a Transmetal?), and former Predacons Fractyl and Spittor, who I guess turned good off-screen somehow. Conspicuously absent is Transmetal Airazor, who was part of this crew in Primeval Dawn. No one mentions what happened to her.

There are also the Dinobots. No, not the cool ones. These ones are led by T-Wrecks (embarrassingly misspelled as "T-Rex"), a repaint of Megatron's original Tyrannosaurus body. No one else is identified by name, but sticking out like a sore thumb at the back of the group is Magmatron! I was going to say, I guess this is what he got up to after The Ascending, but that was a different continuity. Does this version still have his Beast Wars Neo history intact? I'm almost afraid to find out.

Finally, there are the Mutants, who previously appeared in a random non sequitur sequence in The Gathering. That scene might have actually served some purpose if it explained their presence here (like Primal Prime recruited them on prehistoric Earth and brought them back to Cybertron with him), but that was also a different continuity so I guess in this version they were always on Cybertron and were just hanging out somewhere while Megatron took over the planet.

Optimus Primal is like, "Wait, guys, we have a fucking army here. If we all join forces we can easily kick Megatron's ass and take back our planet." But for absolutely no reason everyone ignores this idea, then the Oracle wipes Optimus's mind of everything he's seen. Why did 3H even bother putting him in these con-original stories if they were just going to erase his memories after each one of them?

Primal Prime gets a new command from the Oracle downloaded into his brain and says, "Our involvement in the affairs of Cybertron and the overthrow of Megatron are no longer our main concern. We have new marching orders." Are we supposed to like this guy? He has no agency or identity of his own, he's just an unthinking pawn of higher powers, first the Vok and now the Oracle. Even worse, the story doesn't seem to have any interest in examining this. It just has him do what he needs to do so that the plot can happen. Why am I reading about this loser?

Meanwhile, this comic assumes that off-screen, between the scenes of Beast Machines that actually exist, Megatron must have created more Vehicon generals than the five we see on the show, even though that runs counter to his whole MO in the series. Besides Mirage, who already died off-screen without ever appearing in an actual story, we're now introduced to Blastcharge and Quake, to whom Megatron assigns the mission of stopping all these crappy new characters. They catch up with our "heroes" in like the sewers or something, where the Wreckers have already reunited with Rodimus Who-Was-Prime and Arcee, who is now a repaint of Transmetal 2 Blackarachnia.

Okay. I don't understand this. Transmetals and Transmetals 2 were a phenomenon that only happened because of conditions unique to the Beast Wars on prehistoric Earth. Does Arcee just look like a Transmetal 2 without having any of the benefits and added powers of actually being one? Did anyone put any thought at all into writing this story?

Centuries later, Arcee is still depressed about Daniel blowing himself up and just wants to sit around in the sewers forever, even after Rodimus helpfully shames her for having mental health issues. Everyone storms out except Fractyl, who commiserates with Arcee by telling her about a friend he had who died. He's never mentioned by name but I assume the friend in question is Vice Grip, another fake Beast Wars character who was inorganically forced into continuity during Reaching the Omega Point and then never appeared again.

Who cares though because Blastcharge and Quake burst in and murder Fractyl on the spot. Arcee kills (?) them effortlessly, then uses some bullshit magic to resurrect Fractyl and turn him from a repaint of Terrorsaur to a repaint of Transmetal Terrorsaur, even though we already saw a different-colored repaint of Transmetal Terrorsaur standing in the group photo of the Dinobots. During this whole sequence, Arcee just will not stop running her goddamn mouth. She's just talking and talking and talking, monologuing to the reader for an entire page. She reveals that she wasn't actually depressed about Daniel at all, the real reason she's been in seclusion for 300 years is because she randomly has the ability to foresee the deaths of anyone she looks at now and it was making her crazy. What the fuck?

Whatever, I'm sure all will be explained!

Meanwhile, the Wreckers have decided to leave the planet for some reason, so Apelinq leads them to an Autobot shuttle that he and Primal Prime have been upgrading. I assume this isn't the same Autobot shuttle from the Ark that the Maximals took back to Cybertron after the Beast Wars, because that was destroyed in the first season of Beast Machines. So why is this an Autobot shuttle? Why not just use a modern Maximal ship?

Tigatron shit-talks Optimus Primal to Apelinq for a while, nakedly betraying the writer's unabashed bias against the show he has the privilege of writing officially licensed tie-in material for. "He had the look of obsession. That wasn't the Optimus Primal I once knew. I think this war with Megatron has blinded him to common sense. He needs to consider the implications of his actions. If I held a belief so strongly, would I be any different? Should Earth's organic nature even have a presence on this planet?"

Look, I'm not the biggest fan of Beast Machines. In another life, I wrote a whole article obnoxiously complaining about its nonsensical themes and blatant mischaracterization of the Beast Wars cast. But I'd like to think I'd have the self-awareness not to use my fan-convention fix-fic to brute-force my personal viewpoint into canon. But don't worry, it gets even worse later!

Apparently this shuttle wasn't as well hidden as Apelinq thought, because it's suddenly surrounded by an army of Vehicons, including yet another made-up general named Spy Streak. But then the Wreckers are joined by even more new characters, a trio of former Decepticons named Rotorbolt, Cyclonus, and Skywarp. I guess that this is the same Cyclonus and Skywarp from the G1 cartoon? Which would make Cyclonus the former Insecticon Bombshell, before he was reformatted by Unicron in The Transformers: The Movie. Sure, why not?

The battle is joined again when Primal Prime, Rodimus, and the others show up. Blastcharge and Quake are here, so I guess Arcee didn't kill them after all, but then Arcee shows up and kills them. All the good guys pile into the shuttle and it blasts off, hopefully headed for a more interesting story. But there's an intruder onboard, and he's already taken out the Walmart-exclusive repaint of Transmetal Rattrap Packrat! "The name is Devcon!" he announces, brandishing a sword. Wait, who?

Elsewhere, the Oracle summons Alpha Trion's ghost back from the netherworld of the Force.

I did not care for this one bit. The plot is bad, the writing is mediocre, the characters are nonexistent, and the attempted revisions to established lore are obvious and artless. I understand that most fans may be looking to get nothing more out of a Transformers tie-in comic than cool drawings of action figures being bashed together, and if that's all you're after, this issue may well satisfy. But for me personally, that isn't very interesting, especially when the source material being expanded on wasn't that shallow to begin with. More fool me, I suppose.

Friday, January 10, 2025

The Maverick Moon

The Maverick Moon

Author: Eleanor Ehrhardt
Illustrator: Walter Wright
Medium: Picture book
Publication Date: March 1979
Timeline Placement: c. 4 ABY?
 
In another time, in a faraway galaxy, there lived a young man named Luke Skywalker. He was a student at the New Academy for Space Pilots, and already he was one of the best young pilots in the solar system. Luke and his classmates, the Planetary Pioneers, were training for a special mission. They were going to fly young men and women—the smartest and strongest and most talented—to uninhabited planets. There they would help build new colonies, founded on peace, justice, and good will toward their fellow members of the galaxy.
 
I've known The Maverick Moon longer than I've known what Star Wars is. I can remember my mom bringing it home from the local library and reading it to me when I was a small child. It has Luke and Leia and the droids and the voice of Obi-Wan Kenobi and that's it. There is no Empire or Rebel Alliance; there is the Planetary Pioneers. 
 
A small moon from a nearby system has been blasted out of its orbit and is on a collision course with the Planetary Pioneers' New Academy for Space Pilots. It is traveling at "well beyond light-speed" and will reach the planet in a matter of hours. Luke and Artoo must intercept it with their X-wing and blast the moon with Zukonium rays. "The Force is with you!" says the ghost of Obi-Wan Kenobi. 
 
Ben had trained Luke to use a special power called the Force. Luke had almost forgotten that.

Luke fires the Zukonium rays and destroys the maverick moon, saving the New Academy for Space Pilots. He returns to the academy and is awarded with a medal of honor by his friend, Princess Leia. "I'm glad that you and the Planetary Pioneers will be able to continue your work," says Leia. "But I'm even happier that you are alive and safe."

And that's the end.

For some reason, The Maverick Moon has baffled Expanded Universe chronologists for decades. Even Daniel Wallace and Jason Fry, two of the EU's top continuity gurus, wrote about their difficulty trying to make it fit the timeline. When the book is mentioned at all in fan discussions, it's usually about how weird and out-of-place it is. 

I don't see what all the fuss is about, really. There are almost 40 years worth of Expanded Universe stories set between A New Hope and The Empire Strikes Back. Luke, Han, and Leia have had more adventures during those three years (especially the first year (especially the first six months)) than is realistically or believably possible: the original Marvel comics, the UK Marvel comics, the 3D Blackthorne comics, the Russ Manning newspaper strips and the Archie Goodwin newspaper strips, Dark Horse's Star Wars comic, the Empire and the Rebellion comics, the Star Wars Kids comics, the Holiday Special, the Scoundrel's Luck and Jedi's Honor RPGs, Vader's Quest, Galaxy of Fear, Rebel Force, Science Adventures, Star Wars Missions, not to mention at least seven full-length novels, one of which takes place entirely between two panels of a single issue of Marvel Star Wars. But Spider-Man has canonically had 60 years worth of adventures in no more than a quarter of that time. The Heroes of Yavin just had a really busy couple of years, what's a quick stop at the New Academy for Space Pilots? Just because the Galactic Civil War isn't mentioned, doesn't mean it isn't still going on.

But for whatever reason, the events of The Maverick Moon were never officially contextualized in the broader EU canon. Unofficially, however, the book was finally dated to shortly after the Battle of Endor in Supernatural Encounters, a canceled novella written for StarWars.com's Hyperspace fan club:
 
"What you missed is that Luke, Han, and Leia got roped into doing an orthodontic public service announcement in which they had to 'fight' the Tooth Demons! This was around the time Luke joined the New Academy for Space Pilots on Valahari."
 
"I dread to ask, but it's always puzzled me that the galaxy's only known Jedi would join the Planetary Pioneers of all things?"

"Luke had always wanted to join the Imperial Academy, not realizing what that entailed. The Planetary Pioneers represented the kinder equivalent to that. Funded by benefactors in the Alliance of Free Planets, they built colonies, hospitals, and schools for refugees and any who wanted to flee Imperial Space. Luke was asked to become an honorary member, which was a great promotional tool for them—particularly when his first mission resulted in him saving the academy from a rogue moon."

"Tooth Demons and Planetary Pioneers! We should have studied them instead of ancient cults and monsters."

"It all leads to the same thing."
 
"The punch line?"

"That moon didn't just coincidentally blast out of orbit on a collision course with the academy on the very same day Luke showed up."

Cuenyne pondered this. "I have no doubt there's merit to that, but I recommend you don't start a new series of controversies until you've concluded the current one."

It should be noted that this passage appears only in the extended version of the story that was unofficially released on the author's Web site. The version that would have appeared on Hyperspace doesn't reference The Maverick Moon, so the post-Endor date cannot be considered confirmed canon. It also doesn't make much sense to me, as the book shows Luke and Leia still wearing their ANH-era outfits, and Luke is such a neophyte in the ways of the Force that he's almost forgotten the training he got from Obi-Wan. It feels like it would fit much better one or two years after the Battle of Yavin, but since 4 ABY is the closest thing we have to any kind of official date, we'll leave it there for now.

As for the book itself rather than the needlessly complex discussions around it, it's completely charming and fun. Reading it as an adult, what I especially like about it is how it keeps the trappings of the original Star Wars, the starfighters and robots and Luke the Farmboy and Leia the Princess, but reuses them in a setting that might as well be a different universe. The pre-Empire Strikes Back EU stories, the Marvel comics and Eleanor Ehrhardt picture books and Splinter of the Mind's Eye (the classic Alan Dean Foster novel where Luke slaps Leia across the face and fantasizes about making out with her while she's unconscious), are uniquely fun because they're time capsules from an era when Star Wars hadn't yet become STAR WARS™. When it was still just the story of a boy, a girl, a universe, and a maverick moon.


And that's all there is—there isn't any more.

Oh.

Thursday, January 9, 2025

Discovery Series: Star Wars Adventures in Colors and Shapes

Adventures in Colors and Shapes

Author: Uncredited
Illustrator: Uncredited
Medium: Picture book
Publication Date: January 1984
Timeline Placement: c. 4 ABY
 
I'm setting this here, post-Return of the Jedi, because I've only ever seen one or two fan-made timelines include it and this is where it or they put it. I'm not out to reinvent the wheel here. Really though it could take place anytime after A New Hope, and probably fits better closer to that movie. Our only chronology indicators are that Han Solo and Chewbacca are members of the Rebellion and the Rebels are still called "Rebels" and are operating out of a "Rebel base," which implies (but doesn't confirm) a setting prior to the founding of the New Republic.
 
Han and Chewie are about to set out on a supply run in the Millennium Falcon, but the Falcon's magnetized Fulstar plate is broken! Without it, any attempt to jump to lightspeed will turn them all into space dust. Eager to impress Han Solo, C-3PO volunteers to find a replace Fulstar plate. He retrieves a round plate from the Rebel supply room, but Han needs a plate with straight edges. He obtains a triangular plate and a pentagonal plate from a guy named Zilnor, but Han needs a plate with four sides. Luke Skywalker gives him a rectangular plate, but Han needs a square one. 

Chewie shows the droids to a storage locker in the Falcon filled with magnetized Fulstar plates, something Han easily could have just done to begin with, thus saving them all a lot of grief. When Threepio opens the locker door, though, the stack of plates comes crashing down on his head, knocking him to the deck. Threepio promptly brings Han a square Fulstar plate, only to be rebuffed yet again: "I need the red plate, no the yellow one! You see, this plate is yellow—like this yellow screwdriver or this yellow sign or the yellow sun or like your empty yellow head!"

Threepio returns to the mess of Fulstar plates, only to realize he can't tell the color of any of them; the blow he sustained earlier has damaged his photoreceptors. Rather than ask Artoo what color the plates are, Threepio decides to take them to the Rebel base's Central Computer and have it identify the color of each plate one at a time. Holding up the first plate, he asks the Central Computer if it is red. "No," the Central Computer replies, "that plate is green. Green is the color of grass and of leaves on the trees and of Greedo."


The next plate is white like a Hoojib, a rare reference to the Marvel Comics series. The third is brown "like this Ewok or a piece of wood or a Wookiee," so by process of elimination, Threepio realizes that the final plate must be the red one. He proudly presents it to Han Solo, who raises his screwdriver threateningly and snarls at him, "Why you stumbling junkyard, this plate is blue! Blue like water! Blue like the sky! Blue like the memory wires I'm going to pull out of your worthless circuits!" Han Solo is so mean in this book, it's awesome.

Threepio finally listens to Artoo, who has been beeping something at him nonstop. The magnetized red plate has been stuck to Threepio's ass this whole time! Everyone has a good laugh at Threepio's expense, and finally the Falcon is repaired.

"I knew I could find it, Artoo," says C-3PO proudly. "I'm quite good at these things. You could learn a thing or two from me."

This book is a lot of fun and I'm not sure why almost no fan timelines seem to acknowledge it. Maybe it's just so obscure that no one knows it exists. It should be more widely known, it's a completely original story with a unique contribution to Star Wars lore. I'm shocked that Fulstar plates were never mentioned in any of the continuity fix-fics they used to put out in Star Wars Insider or the StarWars.com blog. They were finally featured in Ryder Windham's Adventures in Hyperspace #3: The Big Switch, but that was canceled and never saw official publication. It's a conspiracy, I'm telling you. Anyway, Adventures in Colors and Shapes is great, add it to your EU collection today!
 

Wednesday, January 8, 2025

Jabba's Palace Pop-up Book

Jabba's Palace


Author: Kevin J. Anderson and Rebecca Moesta
Illustrator: Ralph McQuarrie
Medium: Picture book
Publication Date: September 1996
Timeline Placement: 4 ABY
 
One of my favorite Star Wars picture books, Jabba's Palace Pop-up Book (or, more accurately, Jabba's Palace according to the interior title page, which indicates that the "Pop-up Book" text is more of a description than a part of the title) tells the story of Jubnuk, one of Jabba the Hutt's Gamorrean guards. You can tell which one he is in the movie because he's the one who falls into the rancor pit and gets eaten alive.

Jubnuk lives with his wife and children on Tatooine. As one of the newest guards at Jabba's palace, Jubnuk and his family are assigned to the palace's bright, above-ground living quarters. Jubnuk hopes that with hard work and loyalty, he will be able to impress Jabba enough to eventually move to the dim, dank underground quarters that his people prefer.

Today, Jabba is cross over having lost his lucky charm, a Tusken battle talisman carved from bantha horn. He assigns Jubnuk to find it for him on pain of terrible punishment should he fail. Jubnuk, already slow-witted at the best of times, is confused by this assignment, as he doesn't know what the talisman looks like or where it might be found, but he resolves to do his best and spends the day wandering around the various areas of the palace looking for it. He encounters beloved characters like Bib Fortuna and EV-9D9, who is busy instructing her two new charges, R2-D2 and C-3PO. Jubnuk tries to help her keep these two scalawags in line. He questions the B'omarr monks, the smartest people he knows. The monks haven't seen the talisman, but they offer to remove Jubnuk's brain and implant it in a nutrient jar so he can contemplate this mystery without distractions. Jubnuk says no thank you and continues on his quest.

Jubnuk returns to Jabba's throne room to make his report, but he finds the Hutt in conversation with a human called Luke Skywalker, Jedi Knight. Jubnuk doesn't trust this stranger, but as he makes his way forward to protect Jabba, he plummets into the rancor pit with the Jedi as Jabba triggers the trapdoor in front of his dais.

Landing in the pit, Jubnuk realizes that this is the one part of the palace he hasn't searched for the talisman. The rancor then picks him up and devours him, and the book seems to come to an abrupt, tragic end...

 
...but maybe that's not how it happened. 
 
When I first discovered this book through Wookieepedia nearly twenty years ago, what was most remarkable to me was the casual note at the end of Jubnuk's article mentioning that, according to Jabba's Palace Pop-up Book, the Gamorrean actually survived his canonical on-screen death at the claws of the rancor! This immediately became one of my favorite trivia quirks of the Expanded Universe, so imagine my disappointment when I finally bought the book and what was clearly the last page ended with Jubnuk's unequivocal death. It must have been a troll edit on Wookieepedia, a joke someone added to an article on a topic so obscure no one ever bothered to check it. Jubnuk was dead; Jubnuk was buried; Jubnuk was gone.

No resurrections this time.

Then I noticed the almost imperceptible line around the text box on that last page, no greater than a hair's breadth. After some fiddling, I was able to separate three sides of that box from the surrounding page, revealing the secret ending hidden beneath it.

Two dense paragraphs of text reveal that, after Luke Skywalker has killed the rancor and all the commotion has died down, the remaining denizens of Jabba's palace hear sounds coming from the belly of the beast. They cut it open, and out steps Jubnuk, no worse for wear, his Gamorrean guard armor having protected him from the rancor's bone-crushing jaws. In his hand, he clutches Jabba's good luck charm. He has won. No tragedy, this, but a triumph, perhaps the most triumphant hero's journey ever depicted in Star Wars media. Jubnuk is the last man standing; he has conquered death itself. The Wookieepedia article was correct.


Jubnuk looks for Jabba to return his Tusken battle talisman, but Jabba has gone out to the Dune Sea for a prisoner execution, and rumors of explosions and mayhem have reached the palace. Jubnuk hopes he hasn't missed any excitement. He decides to hang on to the talisman until Jabba returns. In the meantime, maybe it will bring him some good luck...

5/5 Death Stars. A great, great book. Perhaps the bravest thing Kevin J. Anderson has ever written. A triumph, not just of Star Wars literature, but of the human green pig-man spirit.

I've never heard of anything like the secret ending in any other book before. Usually these lift-the-flap type of books will give some kind of indication that there's a flap to lift, like a semicircular cut-out you can work your fingernail underneath to pry it up. In Jabba's Palace, the flap just lies flush with the rest of the page. In a brand-new copy where the pages haven't been bent by small hands and the bottom of the secret flap has yet to be creased, it would be very easy to read the book and never know that the True Ending even exists. It's like they were deliberately trying to keep it hidden, which is crazy because this was a mass-produced, widely available, officially licensed Star Wars book with pages that had to be cut and printed by a real publishing company. It's not like KJA was tucking hand-written notes into the back of each copy as they went out the door.

Leland Chee, Lucasfilm's official Keeper of the Holocron continuity database, tweeted in 2013, "That part about Jubnuk the Gamorrean surviving after being swallowed by Jabba's rancor?  I'm gonna pretend that never happened." I'd postulate that maybe KJA was trying to sneak Jubnuk's survival past the buzzkill LFL continuity cops, but that's a lot of effort considering their dismal arrest record.

I'll also point out that despite being ignorant of the secret ending almost seventeen years after the book came out, Leland Chee never actually said that it was non-canon or not official. He only said that he, personally, was going to pretend it didn't happen. Did he mean this in his capacity as the chronicler of official Star Wars history, or was he talking about his own private headcanon? Who cares, the guy manages spreadsheets, why did anyone ever think he has iron-clad Word-of-God control over what aspects of officially licensed canon products are or aren't "true"?

This is an important distinction because, prior to receding from public view in the aftermath of Disney's acquisition of Lucasfilm and the discarding of EU continuity ("We don't reboot. We don't start from scratch." – Leland Chee, 2008), Chee was known to make "official" declarations on social media in which he'd arbitrarily decree, seemingly on a whim, that certain individual elements of long-established EU lore were no longer canon. He did this with Palpatine's use of clone bodies before Return of the Jedi, Yoda's knowledge of Dagobah before Revenge of the Sith, and Greedo's father's appearance as a child in The Phantom Menace. But to the best of my knowledge, he never did it to Jubnuk's survival in Jabba's Palace Pop-up Book, aside from his off-the-cuff snark about pretending it never happened. 

Nevertheless, the editors of Wookieepedia, who I would trust with arbitrating Star Wars canon significantly less than I would Leland Chee ("...as long as there's the Holocron, Star Wars will not reboot." – Leland Chee, 2012), have taken it upon themselves to mark the section of Jubnuk's article describing his survival with their {{Unlicensed}} tag, denoting it as "contain[ing] information from a Star Wars Legends source that was released outside of the Lucas Licensing process," even though as far as I can tell this is completely made up.
 
NO FUN ALLOWED

This is the source of my gripe not just with Wookieepedia, but with Star Wars fans in general who dismiss out of hand any aspects of it that are too un-serious for them to handle in their inherently ridiculous children's space fantasy. It's not an issue of poor writing or incoherent continuity or a complete lack of the themes and tones of Star Wars, no, they can deal with all that. But they can't abide some fringe detail minding its own business on the outskirts of canon, having no effect on the major storylines, doing nothing but adding some small dash of flavor to an increasingly colorless universe. Details like Mount Sorrow or The Glove of Darth Vader or Yoda's Jedi Master or Boba Fett being eaten by and escaping from the Sarlacc three different times (yes, that's canon) or, yes, the survival and triumph of Jubnuk. Nerds hyperfixate on these irrelevant curiosities like they're so embarrassing they somehow ruin this perfect, sacrosanct thing that is Star Wars, failing to realize that caring about Star Wars to such an extreme is itself the embarrassment.

But we know that Jubnuk struggled, and Jubnuk strove, and Jubnuk survived, and, ultimately, Jubnuk succeeded. It's printed right there on the page, black and white, clear as crystal. And nothing Wookieepedia or Leland Chee or Pablo Hidalgo or Dave Filoni or anyone else can ever say can undo our knowledge that the seemingly lifeless arm dangling from the rancor's mouth in this image belongs to a very much alive Gamorrean named Jubnuk, a Gamorrean small of brain but big of heart, a winner.

Tuesday, January 7, 2025

The Ring, the Witch, and the Crystal: An Ewok Adventure

The Ring, the Witch, and the Crystal

Author: Cathy East Dubowski
Illustrator: Toni Scribner
Medium: Picture book
Publication Date: June 1986
Timeline Placement: 3 ABY
 
A 33-page picture-book retelling of Ewoks: The Battle for Endor, a 94-minute made-for-TV movie. Needless to say, the story feels a little compressed.

The first page is spent recapping the events of the previous film, The Ewok Adventure. The second page then immediately undoes those events by recapping the opening minutes of The Battle for Endor, in which almost the entire cast of the first film dies on-screen. All the Ewoks are taken prisoner by the frightening Marauders, except for Wicket who escapes with a newly orphaned little girl named Cindel Towani.

The two friends meet a Teek named Teek, who takes them to meet his friend Wilford "Diabeetus" Brimley, an old man whose star cruiser crashed on Endor decades ago. He has been rebuilding his ship but without a crystal oscillator it will never fly again.

Meanwhile, King Terak, the ruler of the Marauders, has stolen the crystal oscillator from the Towanis' crashed spaceship and is seeking to unlock its mystic powers. His court witch, Charal (later retconned in The Illustrated Star Wars Universe to be a Dathomiri Nightsister), suggests that Cindel has the power to activate the crystal, so she turns into a raven and flies off to find her. 
 
Taking the form of Jadis the White Witch, Charal lures Cindel away and brings her back to Terak, who throws her in the dungeon when she has no idea what he's talking about. There, she is reunited with the captured Ewoks. Wilford Brimley, Wicket, and Teek come to the rescue, freeing Cindel and all the Ewoks, but the Marauders come after them, riding blurrgs into battle, although the book comically refers to them as "dinosaurs." 

Scene from The Valley of the Gwangi.

A great battle ensues where the Ewoks put into practice all the tricks they'll use against the Empire in Return of the Jedi, but in the end it comes down to a one-on-one battle: an elderly obese diabetic versus a terrifying giant monster man. Wilford Brimley hits King Terak a few times with his stick, which Terak promptly cleaves in twain with his sword. Before he can strike the final blow, however, Wicket throws a rock at him, shattering Charal's magic ring which he is wearing around his neck. The book gruesomely describes shards of the ring being driven into Terak's heart, then he turns into stone and Charal becomes a nothlit.

Wilford Brimley and Cindel leave Endor aboard Noa's star cruiser, leaving Wicket and Teek behind, but they know that no matter how much distance separates them, they will always be friends.

The art in this book is quite nice, reverting to a more realistic style similar to the earlier batch of Ewok books, though it feels a bit out of place after the previous few books used the character designs and art style from the animated series. This drastically abbreviated version of the story isn't terrible, but there's absolutely no reason to read this over watching the full film. The two live-action Ewoks movies get a bad rap, but The Battle for Endor is a pretty decent '80s children's dark fantasy, George Lucas's answer to The Dark Crystal, Return to Oz, The NeverEnding Story, and Labyrinth, although obviously not as good as any of those. 

Monday, January 6, 2025

The Further Adventures: Planet of the Hoojibs

Planet of the Hoojibs

Author: Jymn Magon
Illustrator: Greg Winters
Medium: Picture book
Publication Date: April 1983
Timeline Placement: 3 ABY
 
Princess Leia, C-3PO, and Chewbacca are on a post-Empire Strikes Back mission without Han Solo, who is frozen in carbonite, or Luke Skywalker, R2-D2, or Lando Calrissian, none of whom is in the book. The Rebel Alliance sent the B-team.

Leia and company arrive on the planet Arbra in search of a new base for the Rebellion instead of searching for Han. The dominant species on the planet is the Hoojibs, a race of small, fluffy rabbit-like creatures. Threepio is quick to assure the princess that they are unintelligent. 

The Rebels welcome the wild Hoojibs into their camp and spend their time petting them and posting Instagram pictures of them because they are so floofy. They are like cuter, less commercial porgs. That night, however, C-3PO awakens from shutdown mode to find the Hoojibs are attempting to eat him alive. They have already drained all the energy from the Rebels' weapons. The Hoojibs, it turns out, feed on the electrical energy of technology. 
 
Chewbacca grabs one of the Hoojibs, presumably to lift it over his head like a baby, and is surprised when it begins to speak! The Hoojib, one Plif by name, explains that his people used to live in a cavern filled with crystals that supplied them with all the energy they ever needed, but recently they were driven out by a monstrous space creature called a slivilith. He does not explain that the slivilith is actually a bio-engineered long-range intelligence-gathering device created by the extragalactic Yuuzhan Vong and sent into deep-space prior to the Yuuzhan Vong's development of faster-than-light technology. That factoid wouldn't be added to the lore until Wizards of the Coast's release of Alien Anthology in 2001.

The slivilith attacks! It is a giant flying green bat/manta ray-like creature with prehensile tentacles. The only functional blaster the Rebels have left belongs to the guard who was on duty at the time, but rather than shoot at the slivilith himself he hands the gun over to Leia like a true cuck.

The princess fends off the monster, and the Hoojibs show the Rebels the way to its lair in their former cave, where they keep it at bay with wooden spears until Chewbacca gets bored and just swings the thing, many times larger than himself, by its tentacles into the pointy crystals, killing it. It then falls into a bottomless pit.

With the Hoojibs' food supply restored, Leia contacts the rest of the Alliance and reports that she's found them a new base.

A simplified version of the story told in Marvel Comics' Star Wars #55: Plif!, but as with the previous (and only other) Further Adventure, the illustrations are gorgeous and worth reading the book for, or at least looking up scans online. Another hit!

Sunday, January 5, 2025

The Further Adventures: Droid World

Droid World

 
Author: Jymn Magon
Illustrator: Dick Foes
Medium: Picture book
Publication Date: January 1983
Timeline Placement: 3 ABY
 
The Rebels have captured a damaged Imperial Warbot, a giant combat droid equipped with multiple blaster cannons and, even more frightening, huge grasping robot claws. Luke Skywalker and an Alliance technician attempt to obtain the Warbot's technical readouts by having R2-D2 jack into it and download the data, but this only causes the droid's innards to start shooting out sparks and melting. The technician tells Luke that the only person who can retrieve the data from the droid now is a man called Kligson who lives on Droid World, a giant space station of his own design.

Luke and the droids travel to Droid World, where Kligson fires warning shots at their vessel and demands that they leave. Kligson reveals that he is a cyborg and wants no contact with non-mechanical humans. Luke appeals to the man's ego by telling him he's the only one who can repair their Warbot, so Kligson agrees to allow Artoo, Threepio, and the Warbot onto Droid World on the condition that he be allowed to keep whatever he repairs.

Aboard the space station, Kligson dismisses the Warbot as cheap Imperial junk not worth fixing and orders his second-in-command, Z-X3, to dispose of it. He also tells Artoo and Threepio that they are now free and don't have to return to their life of servitude. But Threepio protests that they love Master Luke.
 
Meanwhile, Artoo is suspicious of Z-X3, so he follows the Imperial experimental droid trooper and learns that he is still loyal to the Empire and planning his own droid mutiny. Artoo and Threepio reveal this treachery to Kligson, who leaps into action and is immediately blown away by Z-X3. The mutinous droids chase Artoo and Threepio around Droid World for a while, with a droid tank cornering them at the edge of a melting pit before plunging to its own doom while the good droids are hoisted out of danger by electromagnets.

Kligson reveals that he's still alive, having sent a robotic double to die in his place. He has long suspected Z-X3's treachery and has been building a droid army of his own to fight against Z-X3's army of droid mutineers. In fact the battle is raging now! When it's all over, Kligson ponders the loss, sending Artoo and Threepio on their way with the schematics they wanted. 

Luke congratulates the droids on accomplishing their mission, but he can't help feeling bad for Kligson, who loved droids but had to kill them. And soon the Empire will come to finish what Z-X3 started. But just then, the engines of Droid World blaze to life, carrying the giant space station into deep space. Safe at last, maybe Kligson will finally be able to find peace after all.

This is a picture-book adaptation of Marvel Comics' Star Wars #47: Droid World. The story here isn't quite as in-depth as the comic's, but the illustrations are much better, and the picture book comes with an audio version of the story on record or cassette, so really it's a toss-up on which version to get. Well at this point it's probably a lot easier to come by the comic. But this is way cooler!

Saturday, January 4, 2025

Meltdown on Hoth

 Meltdown on Hoth


Author: Jane Mason
Illustrator: Chris Trevas
Medium: Picture book
Publication Date: December 1999
Timeline Placement: 3 ABY
 
After the Rebellion's destruction of the Death Star at the Battle of Yavin, the Rebel Alliance has finally moved everyone in to their new base on Hoth. There's only one problem: it's too dang cold!

Princess Leia assigns the droids to install a new communications unit in her quarters. In the process, C-3PO remarks on how cold it is, which prompts R2-D2 to turn up the thermal heater. Congratulating themselves on a job well done, the two go on about their business, only to be accosted by the bossy Coordinator Droid, who tries to give them menial assignments. C-3PO throws it in his face that they're heroes of the Rebellion who helped destroy the Death Star, then they turn around and march back the way they came, only to realize that they are sloshing through water in the hallway. Princess Leia's room is melting!

The droids quickly fetch a wet vac and a handheld blow dryer and try to salvage the princess's quarters, bickering relentlessly in the process. The Coordinator Droid tries to butt into the room but C-3PO blocks the door and tells him he's urgently needed elsewhere.

Finally, Threepio collapses in despair, certain that they'll never be able to clean up all the water, dry out the princess's wardrobe, and repair the communications unit, but just then Princess Leia comes in and blithely observes that the droids have done a good job cleaning her room. "We thought you might appreciate it," says C-3PO, relieved that Leia is so unobservant.

Of course, this story leads directly into The Empire Strikes Back, where we rejoin the droids still bickering over this misadventure: "Don't try to blame me. I didn't ask you to turn on the thermal heater. I merely commented that it was freezing in the princess's chamber. But it's supposed to be freezing! How are we going to dry out all her clothes? I really don't know."

Fortunately for them, the entire base will soon be overrun with Imperial troops and the Rebels will be on the run, leaving the latest crime of the Wet Bandits undiscovered.

Friday, January 3, 2025

The Red Ghost: An Ewok Adventure

The Red Ghost

Author: Melinda Luke
Illustrator: Deborah Colvin Borgo
Medium: Picture book
Publication Date: May 1986
Timeline Placement: 1 ABY
 
Adaptation of the Ewoks episode "Asha." Wicket finds Princess Kneesaa's long-lost older sister, Asha, who was raised by space wolves after their mother was killed by this horrific apparition:


They don't put him in the book though.
 
Asha torments the Duloks until they stop hunting the local wildlife, then she goes back to the Ewok village to reunite with her father, Chief Chirpa.

This is pointless, just watch the episode.

Thursday, January 2, 2025

The Shadow Stone: An Ewok Adventure

The Shadow Stone: An Ewok Adventure

Author: Cathy East Dubowski
Illustrator: Deborah Colvin Borgo
Medium: Picture book
Publication Date: May 1986
Timeline Placement: 1 ABY
 
An adaptation of the Ewoks episode "Sunstar vs. Shadowstone," the conclusion of the cartoon's Morag arc. Those were always my favorite episodes of the show so getting only the final episode adapted to book form kind of takes away from its significance. The book is all right, but ideally you would just watch the four episodes of the show.

Chief Chirpa regales the Ewok children with the story of how Logray, when he was young, once spent years enslaved by Morag the Tulgah witch after she stole the mystical Sunstar-Shadowstone from the Ewok village. Logray bided his time, learning magic from Morag, until he was finally able to make his escape. In the magic battle, the Sunstar-Shadowstone was broken into two pieces, with Logray escaping with the good Sunstar but Morag retaining the evil Shadowstone. Since then she has plotted to reclaim the other half of the stone and achieve unlimited power or something.

After hearing the tale, Teebo thinks Logray is just the coolest and decides to ask to become his apprentice. Hey we already did this plot! Maybe Teebo got fired for failing a drug test. In any case, Logray agrees to make Teebo his apprentice (for the second time) and immediately sets him to work doing chores and cleaning Logray's hut. Wicket, Kneesaa, and Latara come by and laugh at Teebo for doing an unpaid internship, so Teebo steals some of Logray's magic tricks and takes his friends out into the woods, where he fails to successfully perform any of them.

Just then, however, the young Ewoks are tricked by furry bait as a sexy cat-woman lures them into a cave, only to morph into the slightly less horrifying countenance of Morag the Tulgah witch. Morag contacts Logray via his crystal image spinner and tells him to bring her the Sunstar in exchange for the lives and browser histories of her prisoners.

Logray arrives in Morag's lair and the greatest wizard battle since Gandalf vs. Saruman takes place, by which I mean Morag causes vines to wrap around Logray's ankles, Logray dispels them with the Sunstar, then he gets tired and has to take a break. Morag summons the Sunstar to her and rejoins the two halves, reforming the Sunstar-Shadowstone and achieving power so unlimited that it causes an earthquake which knocks her into a pool of lava.

The Ewoks run for it but now Morag emerges, transformed into a giant lava monster. She bats away Logray's staff, but Teebo retrieves it for him, allowing Logray to plunge it into the ground and summon a geyser of cold water that blasts Morag and hardens her lava form into stone. Morag then collapses into a pile of rubble.

No one mourns the Wicket.