Ben: So I read the first 75 pages of THE STAND the other day as laundry happened around me.
Me: What has happened so far?
Ben: Susan just revealed her pregnancy to her father and then her mother came home.
Me: Sounds intense.
Ben:
Or maybe I'm in the chapter after that, where King just narrates for
ten pages how the disease is spreading from victim to victim.
Ben:
I'm going to reference an earlier conversation here where I said
something about how subchapters are bullshit and you told me that they
keep people reading for longer because they keep telling themselves
"just one more chapter" and I told you that was bullshit.
Ben:
Because that's totally happened to me now that he's transformed the
section delineations from subchapters to full-blown chapters.
Ben: Which are functionally no longer than the subchapters of previous books.
Ben: A new chapter doesn't even warrant its own page.
Ben: He's playing mind games with me, and I don't like it.
Ben: But anyway I read a lot more than I intended to because of these shenanigans.
Ben: As for the contents of the book itself, I'm actually finding it pretty fucking scary.
Ben: Possibly because I am some kind of amateur germophobe
Ben: and also constantly contemplate scenarios of the apocalypse.
Ben:
It's like that feeling you get when, in a story, everything is going
great and then one thing goes horribly wrong and you're like OH GOD WHY,
WHY DOES THIS HAVE TO HAPPEN.
Ben: Because you are invested in the characters and want to see their efforts bear fruit, etc.
Me: So you like it?
Ben:
Except that the thing that inspired the feeling of OH GOD WHY happened
in the prologue, and the characters we are invested in are just
"everyone in the world," and now it appears that for the next several
hundred pages we are just going to watch as the consequences of this one
chance event play out.
Ben: Yes, I'm definitely liking it.
Ben: I haven't really found any connection with the main characters themselves yet.
Ben:
And, I mean, okay, I'm not trying to say that every female character
must be an infallible paragon of virtue. but it would be nice if I could
get even a single example of a female character in a Stephen King book
who was not stereotypically irrational and desperately beholden to a
male character.
Ben: Actually, I think that there was one tangential character in EYE OF THE DRAGON that fit that criteria.
Ben: I hereby absolve Stephen King of all blame.
Ben:
And I obviously haven't read the abridged initial release of THE STAND,
but I feel like King goes overboard with the description in a lot more
cases.
Ben: Like, just interminable periods of nothing but description.
Ben:
And he's not bad at describing things, in fact he's pretty good at it
which I attribute to the fact that he's had so much practice.
Ben: But I feel almost like the unabridged edition must have just been a green light to add 500 pages of additional sensory data.
Me: But now you get to experience the story as he originally intended it to be told.
Ben:
Maybe Stephen King is like the main characters of PSYCH or HOUSE or
MONK and just walks into a room and stands there for three minutes,
straining with all five senses to laboriously scrutinize every single
detail.
Ben: It is like I just want to take him by the shoulders and shout STEPHEN KING THIS IS NOT HOW NORMAL PEOPLE ACT.
Ben:
I REALIZE IT IS NECESSARY FOR THE AUTHOR OF A NARRATIVE TO ALLOW HIS
READERS TO ESTABLISH A MENTAL MODEL OF THE SCENE BEING DESCRIBED BUT YOU
MUST REALIZE THAT THIS IS JUST TOO MUCH, IT'S TOO MUCH.
Me: What scenes are you talking about?
Ben: There is no specific scene in mind.
Ben: It just happens sometimes.
Ben: The amount of scene being described just exceeds my capacity to care.
Me: So is the population at large aware of the plague yet?
Ben: No.
Me: OK.
Me: Who are the characters so far?
Ben: There's Stu, or something
Ben: who's one of the rednecks from the town where the refugees from the army base died.
Ben: Out of all the rest of his townsfriends, he is the only one who has not shown any symptoms.
Ben: Maybe he was a football star in high school or something but couldn't go to college to take care of his brother but I forget.
Ben: There is Susan, is one of king's typical hysterical dames and is pregnant with Thoreau's baby.
Ben: There is Thoreau, who is in college and a poet or whatever.
Ben: There is Johnny, who is some up-and-coming musician from LA staying at his mom's place in NYC.
Ben: It's been a few days, I can't have been bothered to commit these names to memory.
Me: Stephen King should hire you to write the dramatis personaes for his books.
Ben: How old is he, he can't have many books left in him.
Me: He was supposed to retire after he finished THE DARK TOWER, but then he didn't.
Ben: Haha.
Ben: When did he finish it?
Me: 2004 I think.
Ben: Wikipedia Stephen King and see how old he is.
Ben: I fear for spoilers.
Ben: Like the opening line of his Wikipedia article could be SNAPE KILLS ROLAND.
Ben: And due to the nature of THE DARK TOWER I could not conclude that this is false.
Me: Keep that in mind for future books.
Me: He's 63.
Ben: Okay so we still have like twenty years of this.
Ben: THE DARK TOWER I-VII was just the beginning.
Ben: Mark my words.
Me: You still have like twenty years of The Stand.
Ben: Dude I read 75 pages in one night.
Ben: The Stand is like 1100 pages.
Me: So you're almost 1/11 done.
Ben: That's just 14 nights of doing laundry.
Ben: I do laundry about once a month.
Ben: So one year, tops.
Ben: I fucking hate Jersey.
Ben: Shithole of a state.
Me: That's where Bruce Springsteen is from.
Me: It's what inspired to him to write all his songs about being a working man and living in squalor.
Ben: I vaguely remember one of his song lyrics going something like "it's a deathtrap, baby I'll never go back."
Ben: I presume he is referring to New Jersey.
Me: Hahaha.
Me: This town rips the bones from your back.
Me: Did you see his lyrics on the opening pages of The Stand?
Ben: WHAT'S THAT SPELL?
Ben: WHAT'S THAT SPELL?
Ben: WHAT'S THAT SPELL?
Me: No, not that one.
Ben: I'm sure I saw it.
Ben: Do we ever discover the significance of the title of THE STAND?
Ben: Or is it just one of those meaningless phrases.
Me: The Springsteen lyrics are the significance.
Ben: Oh.
Ben: Wait I'm pretty sure that several of the unrelated quotes in the front of the book mentioned stands, or standing.
Me: I dont rember what they all were.
Ben: Some conjugation of stand.
Me: The Stand has more quotes than every other Stephen King book combined.
Ben: Hahaha.
Ben: All of them entirely unrelated to the narrative.
Me: Outside the street's on fire
In a real death waltz
Between what's flesh and what's fantasy
And the poets down here
Don't write nothing at all
They just stand back and let it all be
And in the quick of the night
They reach for their moment
And try to make an honest stand
But they wind up wounded
Not even dead
Tonight in Jungleland
Me: Basically it refers to the stand of good against evil.
Ben: If you say so.
Ben: I guess the man in black shows up at some point to make the amoral flu virus more of a bad guy.
Me: lololol
Me: I was at Barnes and Noble the other day and he shows up on page 170.
Me: So hurry up and get there.
Ben: Did you read The Stand again, just for kicks?
Me: God no.