The Final Exit
Author: Patricia A. Jackson
Medium: Short story
Publication date: November 1994 in Star Wars Adventure Journal #4
Timeline placement: 5 BBY
Thaddeus "Thunderbolt" Ross, Corellian smuggler and captain of the YT-1300 freighter Kierra (inhabited
by an overly feminine droid intelligence also named Kierra), gets more
than he bargained for when he agrees to Uber thespian-turned-murderer
Adalric Brandl back to his home planet for an awkward family reunion.
Patricia
Jackson's dark, almost gothic saga of Adalric Cessius Brandl and his
tortured relationship with his son, Jaalib, is one of the highlights of
the Adventure Journal's original fiction. It's weird and sad and confusing and completely unique as far as Star Wars literature goes. I'm still not sure if it's even actually good, but I've been thinking about it, on and off, for 25 years.
Jackson
writes dialogue in a heightened, theatrical style, evoking Brandl's
history as a dramatic actor. Brandl himself gets a slew of juicy,
overwrought lines to deliver as he broods over his damned soul, but
there's a disconnected, almost dream-like quality to the way every
character speaks; the things they say don't quite follow naturally from
what they're responding to.
This feeling of disconnection extends beyond the characters to the story itself and its place in Star Wars canon.
"Adalric Brandl is a Jedi Knight," Ross deduces of his mysterious
passenger. Quite a leap, you think, given that this story is set only a
few years before A New Hope, when the Jedi are extinct and the
Force is disregarded as "hokey religion." Plus Brandl is clearly a
psychotic murderer who uses the Force to kill.
Prior
to the prequel trilogy and the subsequent proliferation of Sith in the
Expanded Universe, dark-side Force-users were typically termed "Dark
Jedi." Here, though, Brandl is repeatedly referred to in both dialogue
and narration as a Jedi Knight. Ross could have said "Adalric Brandl is a
Force-user" or, more specifically, "Adalric Brandl is an Imperial
Inquisitor." But instead, he's a Jedi—or what passes for a Jedi in this
dark-mirror vision of Star Wars. I'm not sure what to make of
that. Maybe for the author it was just a term of convenience, but
there's something subtly unsettling about it: more sense of broken or missing connections, of performance rather than life.
Brandl's lightsaber blade is white, a color that represents purity, but also a color that contains all other colors. What did the author mean by this? Maybe absolutely nothing, but the fact that I'm even asking the question says a lot. 4.5/5 Death Stars.
NB: Adalric Brandl's wife is a redhead so take a shot.


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