Sunday, February 27, 2011

Really Good

Me: The King's Speech won for Best Director.

Me: Didn't see that coming.

Me: What was your prediction, Ben?

Ben: Albert Baldwin.

Ben: For "Sounds of a Spaceship."

Me: Yeah, I was pretty disappointed that didn't get a Best Short Film nom.

Ben: Best Documentary.

Ben: "WILL I EVER SEE ANOTHER HUMAN BE-ING AGAIN HHUUUUHH."

Me: That's not important right now.

Ben: THE WASTE LANDS is really good.

Ben: Is that what's important right now?

Me: That's not what I was going to talk about but go for it.

Ben: I was trying to preempt you.

Ben: I dunno, it's just really good.

Me: Good book review.

Ben: Like, even though this book is clearly still setup for the rest of the story, I felt like the first two books were meta-setup, and this book has enough story meat to it that it is enjoyable in its own right.

Ben: I am finally invested enough in the characters and the characters themselves have matured enough that I'm starting to connect with them.

Ben: But Susan is still superfluous.

Ben: Susannah.

Ben: Wrong book.

Ben: Wait.

Ben: Damn Stephen King only knows like three names.

Me: Susan is Roland's girlfriend.

Ben: In King's Ur-book.

Me: What.

Ben: Wait.

Ben: Is there seriously a Susan character?

Me: Roland briefly reminisces about her in The Gunslinger.

Ben: You mean in 'Salem's Lot.

Me: No.

Me: $300 for 'pit' tickets to the Katy Perry concert, you in?

Ben: Will we get to meet Katy herself?

Me: Of course.

Me: We'll just have to be extra inventive.

Ben: I'm in.

Ben: Cross one off the bucket list.

Me: I just wish we could've met her before she changed her name.

Me: Ironically, Katy Brand is a much less lucrative brand than Katy Perry.

Ben: I agree, this is irony.

Monday, February 21, 2011

Subchapter 22, Chapter 1, Sub-book 1, Book 3, THE DARK TOWER

Ben: "I hate being a cripple," Susannah said crossly.

Me: Did you finish DT3 yet?

Ben: I just quoted you a line.

Ben: It was the line I was reading as I looked up to notice you were online.

Ben: Page 86.

Ben: Or rather

Ben: subchapter 22, chapter 1, sub-book 1, book 3, THE DARK TOWER.

Me: What has happened so far?

Ben: They killed a bearborg.

Ben: And Roland is suddenly not sure if he ever met the boy at all, which I think is really cool.

Ben: Like, if the first book was just the fevered dream of a madman.

Ben: But I also find it hilarious that the source of Roland's insanity over the anguish of losing his boymeat.

Me: You'd never survive in ancient Sparta.

Ben: I'd just equip a foam sword and remain unconquerable.

Me: How is Waste Lands so far?

Me: Did they fight the robot bear yet?

Ben: I like it.

Ben: YES.

Ben: I told you as much.

Me: Oh, I wasn't listening to you.

Ben: Remember that time I paralyzed your thumb for life?

Ben: It was a preemptive strike for your behavior here.

Ben: Remember this.

Me: You did this to me!

Me: All of my LIIIIIIIIIFE!

Me: YOU MADE ME!

Ben: Is that from STAR WARS 3?

Me: We'll find out once you've torrented all the Master episodes.

Wednesday, February 16, 2011

Vampiyaz Suck

Ben: We'll compete.

Ben: You make your hentai game.

Ben: I'll make my game.

Ben: Also

Ben: before I forget

Ben: some final parting thoughts on SALEM'S LOT.

Ben: 1) So the revelation that the vampire is staying in the boarding house came about because the child noticed blue chalk on his fingers, which implies that the head vampire was blowing off some steam by playing pool, which is retarded.

Ben: This is probably my biggest problem with the ending.

Ben: Apart from

Ben: 2) the fact that the head vampire decided to stay in the boarding house at all, a possibility that I considered but then later rejected because it would be unnecessarily risky for the vampire to stay somewhere so close to where one of his enemies keeps all his stuff.

Me: That's what makes it so genius.

Me: It's the last place he'd look!

Ben: Notice, too, that the heroes assault the Marsten House on October 6th, only to realize that the vampire had left two days prior. Meaning that, for two days, Ben was sleeping about fifty feet above the vampire in the basement.

Ben: The reason that I considered it at all was precisely because of that.

Ben: But then I realized it was retarded.

Ben: Because vampires can just turn themselves into smoke and pass through cracks.

Ben: So why not just hide in a rabbithole somewhere randomly in the woods?

Ben: Or anywhere that normal humans cannot otherwise access?

Ben: Or just fucking burst through the windows of the people who are trying to kill you before they do.

Ben: Before they even know what's up.

Ben: Clearly he was watching them before they were fully aware.

Ben: Why not go after them first?

Me: They replaced the stairs with knives, I think pretty much all the bases were covered.

Ben: That's number 3)

Ben: What a shitty hiding place.

Ben: Because if you go to all the trouble of pulling out the stairs and pushing knives through wooden slats and laying them face-up on the floor, that's a dead giveaway that the heroes are on the right track.

Ben: It totally obviates his attempts to hide the root cellar with the bureau.

Ben: So yeah, you kill the first guy who comes down the stairs.

Ben: Then what, smartass?

Ben: You've just all but told them that you're definitely in the basement.

Me: But there's a secret cellar.

Ben: Doesn't matter.

Ben: You've played video games.

Ben: Use your fucking brain.

Ben: If the developers put something special in a room, then you know that room's there for something.

Ben: Otherwise they wouldn't devote development time to putting something special in the room.

Ben: Therefore you search the room until you find the secret.

Me: But the vampires almost won anyway.

Ben: Despite their leader's supreme incompetence.

Ben: Anyway.

Ben: In retrospect, the ending was preposterous.

Ben: Slightly more so than the rest of the book.

Ben: Vampires are just shitty antagonists in modern settings, I think we can all agree.

Ben: They just don't make any fucking sense.

Ben: It's time to move on and invent some new mythical horrors.

Me: Maybe you've heard of TWILIGHT, DRACULA 2000, and ANNE RICE?

Me: Also TRUE BLOOD, the hit HBO series.

Ben: I rest my case.

Ben: Welp, better upload this to the blog so I can get started on part three.

Me: So final thoughts on the book overall and its place in the Dartower canon?

Ben: I don't know its place in the Dartower canon yet.

Ben: If I didn't know that Callahan showed up in Dartower, I'd be pretty pissed that he went out like a bitch and got no closure.

Ben: I liked the themes of smalltown evils attracting gradually larger evils.

Ben: And it is a pretty spooky setting.

Ben: It seems eerily plausible that a town such as that could dry up without anybody noticing.

Ben: The characters were okay.

Ben: The main male characters, anyway.

Me: You liked the kid better than the girl?

Ben: Sort of.

Ben: Because he wasn't an idiot.

Ben: At least he was interesting.

Ben: I'm still a little creeped out by King's fascination with boy-love.

Ben: I get the feeling his father didn't pay him very much attention.

Ben: The setup of the book was good, if slow.

Ben: I liked Ben's backstory.

Ben: I didn't really like his paranormal beliefs.

Ben: Although I guess they were essential to his character.

Ben: I liked how it showed the stress the main characters were under.

Ben: I liked Callahan too.

Ben: Does he show up in the next Dartower book?

Me: No.

Ben: Dammit.

Ben: So I have no references to look forward to.

Ben: Anyway

Ben: I liked all the instances of describing the townsfolk going about their lives.

Ben: The bits of the book that mimicked newspaper clippings and such felt a little forced, especially after reading that their inclusion was because of DRACULA.

Ben: He doesn't write like a journalist, is the issue.

Ben: He writes like a fiction author trying to write like a journalist.

Ben: Maybe the DRACULA clippings were from such a different era that I can't distinguish if their tone was appropriate.

Ben: I really liked the final implication of the fire cleansing the town.

Ben: Especially after all the references to the fire of 1951.

Ben: So at least it ended on a positive note.

Ben: But the final long chapter that focuses on confronting the vampires is pretty silly in retrospect.

Ben: Like, he describes that as you stake a vampire, their arms flail around.

Ben: Then how are you continuing to stake it, asshole?!

Ben: It's a supernatural creature with supernatural strength.

Ben: Imagine, as I am sure you often do, that you are lying on your back and that I am poised over you with my hands on your chest.

Ben: Now imagine that you are lying recessed in a coffin.

Ben: In order for me to reach your heart, I have to come in from the side.

Ben: Now imagine that your arms are flailing wildly, and that you have the strength of the mentally challenged.

Ben: There is no way that I'd be able to stay in that position without getting my torso ripped in half.

Ben: This is forgetting that the vampire apparently wasn't even trying to fight back for some reason, and instead of trying to yank out the stake or fight back he just decided to do a little dance.

Me: Maybe they lose their strength during the day.

Ben: Right, it's like waking up and you're all sleepy.

Ben: And your muscles are all paralyzed.

Ben: I guess that's plausible.

Ben: But it doesn't forgive the mad flailing.

Ben: Anyway, final verdict: let's hope that DARTOWER 3: THE WASTE LANDS is a better work of literature.

Me: I don't understand why their hearts geyser blood after they're already undead.

Ben: "Black blood. Heart blood."

Me: What does that mean?

Ben: You'll have to ask Stephen King.

Me: So how would you rank the first four books of your journey to the Dark Tower?

Ben: Gunslinger was good.

Ben: Eye of Dagron was meh

Ben: The Drawing of the Three was good until we met the woman.

Ben: 'Salem's Lot was okay.

Me: Is okay better than meh?

Ben: Yes.

Ben: I am excited to get back to the Dartower though, I like Roland's character.

Ben: I am eager to see where his adventures lead.

Me: To the WASTE LANDS.

Me: So so far you would say the DT books are better than the non-DT books?

Me: Are you excited for The Stand?

Ben: Yeah I would say they are.

Ben: I am not very excited to read The Stand because it will probably take me a year.

Tuesday, February 15, 2011

Out of the Lot

Ben: Finished it today.

Me: Do you feel relieved to have it over with?

Ben: The last "part" of the book was coincident with a single chapter

Ben: so I had no choice but to continue.

Ben: I liked the very end of the book, by which I mean the epilogue.

Ben: The final part where they start fighting vampires was pretty good in general.

Ben: Although

Ben: I think Richard's fascination with boy-love stems from his desire to be Stephen King.

Ben: Like srsly, first THE GUNSLINGER and now SALEM'S LOT.

Ben: Grown men professing their love for boys they met yesterday is not as normal as Stephen King wants us to believe.

Ben: Are there any more books that deal with this?

Ben: Besides THE SHINING, which might as far as I know.

Me: Hearts in Atlantis is in large part about children.

Ben: Is it about grown men falling in love with children?

Ben: Or about prepubescent orgies?

Me: No orgies.

Me: Part of it involves a young boy becoming friends with an old man.

Me: It's very sad though.

Ben: There are some good passages in the final part.

Ben: I generally liked the bits where he gets into the goings-on of the townsfolk

Ben: but the faux newspaper clippings felt pretty forced.

Me: I like the part with Callahan on the bus and the kid sitting on steps or something.

Ben: Yeah wtf was that all about?

Ben: I do remember liking that part.

Ben: I liked how, before they stake Susan, the book describes the wine cellar of the house and I was then disappointed when Callahan did not start swilling the booze.

Me: Hahaha.

Ben: "No," Ben said, speaking quietly, as a man speaks a fact. "I can't."

"You must," Father Callahan said, sending spiders scurrying as he retrieved a dusty bottle of wine from its cobweb-choked place on the rack. He uncorked the bottle, and, all but ignoring the fetid vinegar stench that swam out, put it to his lips and drank deeply. A minute or more passed, and he lowered the bottle only when it was clear that its emptiness was absolute. "I'm not telling you that it will be easy, or for the best. Only that you must."

Me: What is that?

Ben: I edited a passage to fit Callahan's character.

Me: I can't tell the difference.

Ben: I'm glad that you think I'm as proficient a writer as Stephen King.

Ben: Or maybe I'm dismayed that you think I'm exactly equal to him.

Ben: Emotions are mixed.

Me: Remember, you have assimilated him now.

Ben: I fucking told you.

Me: Did it make sense that Barlow could burst in through the window?

Ben: Maybe he was more powerful than the other vampires.

Ben: Although

Ben: if, as it is implied, speaking a vampire's name allows you to resist their Jedi mind tricks, Barlow probably shouldn't have had his lackey use his real name on the STRAKER AND BARLOW ANTIQUE FURNITURE STORE.

Me: Hahaha.

Me: I dont rember that.

Me: They should have called him by his dream name.

Ben: It's when the kid's at the top of the stairs to the Marsten cellar just after Susan gets unkilled, and Barlow is luring him down the stairs and the kid shouts "I KNOW YOUR NAME, IT'S BARLOW!!" and then can run away somehow.

Ben: They were prescient enough to buy all the roses in town, but not enough to use aliases.

Ben: Also, I lol'd at this line.

Ben: Mr. and Mrs. Petrie eat sandwiches in their kitchen, trying to puzzle out the call they have just received, a call from a local Catholic priest, Father Callahan: "Your son is with me. He's fine. I will have him home shortly. Good-by."

Ben: It's like a perfectly absurd line.

Me: Is all of that a quote from the book or just the dialogue?

Ben: That's a straight quote from the book.

Me: Why is it in present tense?

Ben: All the townsfolk segments are.

Me: What would your reaction be if a priest called you to say that?

Ben: A Catholic priest?

Ben: About my son?

Ben: I'd probably crack up and ask the person on the other end if they were making a SALEM'S LOT reference.

Ben: Like I said, it's a perfectly absurd line.

Ben: Then I'd go eat some sandwiches.

Me: So now that you've finished the book, what's your interpretation of who the man and boy at the beginning were?

Ben: It was a mystery until the epilogue, when they are eventually revealed to be Ben and Mark.

Ben: Thank you for not spoilering me.

Me: Yeah that was my favorite twist.

Ben: I did like the epilogue.

Ben: It was hopeful and cool.

Ben: I didn't even consider burning down the town until the radio in their car remarked what a dry season it had been.

Ben: It was a good parallel with the previous fire.

Me: Creative destruction.

Me: Legend of the Overfiend.

Me: Ka is a wheel.

Ben: That's the name of our blog, all right.

Sunday, February 13, 2011

Part Two

 

Me: you have sex with a guy from onlien b4?

Ben: Only once.

Ben: I wouldn't recommend it.

Ben: I finished PART TWO of 'SALEM'S LOT.

Me: Jesus how many parts are there?

Ben: Just one more, then the epilogue.

Ben: I'm kind of sad at the abruptness with which the female lead was dispatched, but I'm not sure I expected any better fate for her.

Ben: I guess I'm also a little disappointed that the event should be seen from the point of view of this child who we have invested so little time in.

Ben: I'm still sort of baffled as to why he even included a child in the story

Ben: since he is not in fact a child at all, but a hyper-rational Buddhist monk Mary Sue.

Me: He brought a better stake than that dumb girl did.

Ben: Fat lot of good it did him.

Ben: How the fuck did he expect to get in the window without her being there?

Me: What has happened so far in the story?

Me: How long is part 3?

Ben: It left off with the first chapter from Callahan's point of view, where he visits the schoolteacher in the hospital and agrees to some unknown contract.

Ben: Immediately prior was the scene where the child pulls a Houdini and is tragically just seconds too late to save Susan from suffering an off-screen undeath.

Me: Oh so there's still a ways to go yet.

Ben: Looks like 170 pages or so to go.

Me: Is the doctor's throat still ripped out?

Ben: I think he was fine.

Ben: Somehow.

Ben: They waited around for the sheriff to arrive and interrogate them without suffering any difficulty due to the doctor's wound.

Me: Ben sucked out the poison.

Ben: I think that might have actually happened.

Ben: Was that a joke?

Me: I don't remember.

Me: I think he did something to get the toxins out.

Ben: Maybe he just injected him with holy water.

Ben: Or said a prayer or something.

Me: Yeah I think.

Me: Is the action kicking into high-gear yet?

Ben: The last real action was the child beating Straker with a pipe

Ben: and then running home.

Ben: And then there's a spooky scene where he's being visited by Susan

Ben: who for whatever reason does not just go to his parents' window and use vampire persuasion on them to get into the house.

Ben: But no it is not relentless knuckle-whitening testicle-exploding action at the moment.

Me: Hurry up and get back to the Dark Tower.

Ben: FIRST I NEED TO READ THIS BOOK ABOUT VAMPIRES.

Ben: It will give me unparalleled insight into the journey for the Dartower.

Me: That's true.

Ben: The man in black is actually Straker.

Me: You don't need to spend three months analyzing it though.

Me: The back cover gives away the connection.

Ben: Every Stephen King book that is tangential to the Dark Tower series ends with the man in black being mutilated.

Me: Hahaha.

Ben: Calling it right now.

Ben: He's the hotel chef from THE SHINING.

Ben: And the spider from IT.

Ben: And the author from MISERY.

Me: THIS IS BATTERY ACID, YOU SLIME.